Ronnie wrote:It’s funny, but before NuWho came along ‘80s Who was like NuWho is to me now.
I suppose I’ve got RTD to thank for putting it in perspective for me and making me appreciate 80s Who a lot more. Lol
Best I can manage is to appreciate what it could’ve been, and what it occasionally strived and managed to be (Remembrance of the Daleks). I just sorely lament that it took so many pointless detours and dead ends to get there.
Ironically in a lot of ways the RTD era seemed to want to be an over-correction for the JNT years (and perhaps pick up where Hand of Fear and City of Death left off), but in other ways an attempt to outdo them.
An overcorrection in the sense it made a big deal about being comical, populist and accessible (to the point of being dumbed down to a room temperature level IQ) to make up for the 80's years where it seemed to be exclusively fan-aimed and humourless.
There was an emphasis on frenetic urgency as if to over-compensate for the 80's years of leaden, lethargic directing. Whereas Adric's death seemed forgotten a minute into the next story, Tennant seemed to spend two whole seasons not getting over Rose's departure, and RTD seemed obsessed with contriving as many weepy moments of emoting as he could.
He also jettisoned JNT's rather neurotic "no hanky panky" rule, and pretty much wrote all the characters like a bunch of horny teenagers. Saward's "everyone dies" approach whilst the Doctor's simply ineffectual (and can't be relied on to do anything except finally snap after it's all too late), substituted by "everybody lives", and the Doctor being made too powerful and God-like. An entire episode (Love & Monsters) was devoted to bashing fans like Ian Levine, whilst the Long Game seemed to exist just to introduce an Adric proxy purely so the Doctor could immediately kick him out and declare himself too cool for nerds now.
In other ways of course RTD's era seemed a doubling down and an attempt to outdo the JNT era in the stakes of celebrity guest star casting, showmanship over substance, casting Doctors young, tabloid-pandering stunts, ruthlessly turning the series into a brand, and going for McCoy era slapstick. In many ways Silver Nemesis looks the prototype for the New Who season finale.
RTD's era seemed praised for this by many fans who wanted the show to seem respectable again. To my mind it more resembled that nerdy kid who one year suddenly starts ingratiating himself with the cool kids, bragging about how many girls he's fingered and joining in their mocking of his former friends.
But either way both eras managed to have their own cultish effect on the fanbase. For many RTD sycoophants, his ruthless driving back of the Ian Levine influence by proving willing to slaughter all sacred cows for the lols, is something RTD was almost turned into a deity for alone. He was seen as the saviour the show needed, who would, whether it was even really necessary or not, burn Moscow to save Russia.