I’ve now watched Chibnall’s first written episode of Torchwood (and, I believe, his first venture into Who), and this was exactly as awful as I’d expected.
There’s an instant emphasis on just how low-brow and patronising this shite is from the outset- from the clinically juvenile dialogue (Ah, I’m cummin’!... He’ll shag anything living”) to the downright banal concept and the redundant insertions of idiotic scenes. Yes, an alien that feeds off orgasms is certainly the height of adult TV.
Did we need to see the CCTV monitor wanking off to both adolescents getting in on in the toilet fast cut with obnoxious editing? Does it say anything of value? Does the episode bother to critique this action? No, but Chibnall is constantly adamant that we embrace this bollocks, as evidenced by the episode’s revelling in Jack and the rest of the main cast being entranced by Gwen being sexually assaulted and on the brink of death on the monitor for a stupid gag. Completely indulgent on Chibnall’s part, and a pitiful display of characterisation on every level.
Add to this the sheer vacuity behind every bloody character in this tripe, the additional inclusion of obnoxious music cues, appallingly choppy direction and completely lack of maturity and integrity within the script, and a precedent is set for Chibnall’s status as a Who writer.
Regardless of the programme’s intention to be perceived as “adult”, absolutely no nuance is provided to the characters in this series, and the tone at hand is so condescending and childish that any pretence of intelligence dissipates instantly. A considerable step down from the first episode (which wasn’t especially good to begin with), and one of the most vacuous examples of Who material I have had the displeasure to experience.
There’s an instant emphasis on just how low-brow and patronising this shite is from the outset- from the clinically juvenile dialogue (Ah, I’m cummin’!... He’ll shag anything living”) to the downright banal concept and the redundant insertions of idiotic scenes. Yes, an alien that feeds off orgasms is certainly the height of adult TV.
Did we need to see the CCTV monitor wanking off to both adolescents getting in on in the toilet fast cut with obnoxious editing? Does it say anything of value? Does the episode bother to critique this action? No, but Chibnall is constantly adamant that we embrace this bollocks, as evidenced by the episode’s revelling in Jack and the rest of the main cast being entranced by Gwen being sexually assaulted and on the brink of death on the monitor for a stupid gag. Completely indulgent on Chibnall’s part, and a pitiful display of characterisation on every level.
Add to this the sheer vacuity behind every bloody character in this tripe, the additional inclusion of obnoxious music cues, appallingly choppy direction and completely lack of maturity and integrity within the script, and a precedent is set for Chibnall’s status as a Who writer.
Regardless of the programme’s intention to be perceived as “adult”, absolutely no nuance is provided to the characters in this series, and the tone at hand is so condescending and childish that any pretence of intelligence dissipates instantly. A considerable step down from the first episode (which wasn’t especially good to begin with), and one of the most vacuous examples of Who material I have had the displeasure to experience.
Last edited by Bernard Marx on 22nd February 2020, 6:04 pm; edited 1 time in total