Back in 2004, numerous media outlets were referring to RTD’s revived version of Doctor Who as entirely superior in its visual effects, with Classic Who being slated as a “hokey TV series” (Mark Kermode, 2007, when discussing how good Last of the Time Lords was), or one where the sets and acting were “shaky” (a news report on Jon Pertwee’s passing). Eccleston himself referred to being “put off by the low production values” on that BBC interview from 2005, where he also criticised the Classic series for being “sexist” and due to featuring RP accents. This is a rhetoric that still persists to this day.
However, with all this in mind, how badly has RTD’s era aged in merely 14 years? As far as I’m concerned, such labels of shakiness apply to the early years of New Who more than many examples of Classic Who, where dated and cheaply constructed CGI can be found in many shots (and with none of the charm that occasionally came with some of TruWho’s failings) and popcultural references can be found in practically every episode as to ground that era in the 2000s zeitgeist alone, with no narrative timelessness to really speak of as with TruWho (with the odd exception, such as a brief insertion of the Beatles in The Chase, though even this is comparitively reserved and at least served a subtle character purpose for Ian, Barbara and Vicki).
Would you agree that RTD’s era (and even Moffat’s era already in particular cases) has aged badly, and do the media platitudes appear laughable as a result? And what examples spring especially to mind?
However, with all this in mind, how badly has RTD’s era aged in merely 14 years? As far as I’m concerned, such labels of shakiness apply to the early years of New Who more than many examples of Classic Who, where dated and cheaply constructed CGI can be found in many shots (and with none of the charm that occasionally came with some of TruWho’s failings) and popcultural references can be found in practically every episode as to ground that era in the 2000s zeitgeist alone, with no narrative timelessness to really speak of as with TruWho (with the odd exception, such as a brief insertion of the Beatles in The Chase, though even this is comparitively reserved and at least served a subtle character purpose for Ian, Barbara and Vicki).
Would you agree that RTD’s era (and even Moffat’s era already in particular cases) has aged badly, and do the media platitudes appear laughable as a result? And what examples spring especially to mind?