The Blood Of a Poet (1932) by Jean Cocteau- the first of Cocteau’s ‘Orphic’ trilogy, and a surrealist and bizarre piece of French Language avant-garde cinema. At only 50 minutes in length and incredibly heavy on minimalist visual storytelling, this film is about as detached from modern Hollywood as one can get. All three films in the trilogy in some way reflect the polymath Orpheus in Ancient Greek religion (and by extension, Cocteau’s own polymathic nature as a poet, writer and filmmaker), though this is the most surreal instalment of the bunch, coming at the end of the first wave of avant-garde French cinema. I thoroughly enjoyed it, and the film itself is beautifully made and directed, though it is incredibly baffling on initial viewing due to its minimalist nature.
Brief Trivia: Cocteau’s Orphic trilogy had heavily influenced Steve Galligher’s script for the season 18 Who story ‘Warriors’ Gate.’