BillPatJonTom wrote:We can trace the rot maybe as far back as when the BBC kowtowed to Mary Shitehouse during the Tom years.
I think another reason that might've coincided with Mary Whitehouse's complaints is that the BBC weren't having much luck selling the Tom Baker stories to Europe, as most countries thought his episodes were too frightening for children and wouldn't buy them.
The BBC might've thought that bringing in Graham Williams and producing a tamer version of the show that still retained Tom's star power, might be one they'd have more success selling.
And that's possibly why the BBC tampered so recklessly with the show at its best.
By Colin's time, it was like an infection spreading due to the deliberate lack of care from that overrated trader on a family name, Michael Grade, who certainly had an axe to grind.
I'd say unfortunately because the show was no longer being made for the public but for the fringe cranks of fandom, there was a severe compromise to the credibility and purpose of the show if it wasn't there to entertain the public anymore, which made it suddenly more vulnerable to institutional opponents like Grade.
When a revival came (after a fashion), bringing Doctor Who back to life seemed possible due to initially incredible popularity following the wilderness years. But 'New Who' turned out to be a revival in name only to many old fans and the new series began to grate. If Russell T Davies was a false prophet then his successor Steven Moffat even more so.
I used to blame RTD and Moffat as individuals, but now I more blame the modern BBC culture they're from.
We live in a culture obsessed with wellbeing. The fans who became BBC staffers particularly bought into that culture because it was one that dominated their workplace.
Doctor Who was always their guilty secret because aside from some Tom Baker stories, it was very difficult for them to explain to other people in that modern culture where the sufficient 'happiness' and 'fun' was in revisiting the old show, in a way that a crowd of their work colleagues would 'get'.
This is why of course the RTD era laid on the wicky wacky 'fun' so unbearably thick, and why fandom tended to act like the happiness patrol against any fan spotted being 'negative' and not enjoying the 'fun'. Or at least making sure their fan friends were very careful how they criticize, incase they make it all too easy to appear like undesirables tainted by 'negativity'.
The new show was so aimed at that culture as the 'mainstream' that it ended up becoming the very sinister thing the show ideally was meant to attack.
I think Moffat is really chief culprit for administering the fatal dose of poison. I single out his arrogant undermining of real continuity with the classic series, crude bastardizing of many original creations, and the very worst aspects of encouraging predominant parody. Deluded by unwarranted conceit and pandering to toxic fringe influences, he was the most disastrously disrespectful destroyer of the show's legacy.
Sadly all true (although in terms of crude bastardizing of original creations, JNT was just as bad). Moffat definitely arrived a hero and left a villain for me.
Infact although I wasn't really behind the idea of a female Doctor, I did feel obliged to give Jodie a chance in the role, and I must say for her first few episodes it was if nothing else refreshing that the slate was wiped clean from the mess of Moffat's nightmare era.
The problem is it wasn't replaced with anything interesting enough, and so just feels a hollow shell of a show now.