Parts One and Two.
The Doctor: William Hartnell had "found his groove." This is the Doctor as we've known him for over 50 years; disinclined to violence, intensively inquisitive, fiercely protective of his friends. While the Doctor is not yet completely the lead as Patrick Troughton would make the character in a few years, this is definitely no longer the Ian Chesterton Show.
The Companions: it's clear here that William Russell has seen his character mature into a foil for the Doctor, an equal instead of a competitor. Barbara thus far here is been mostly a comfort for Vicki and it's pretty clear to me that Team Who have started running out of ways to make stories work with a four-member Team TARDIS. Vicki has mostly varied between classic screamer and Going To Get Help.
The Story: I was looking forward to the Beatles' cameo; is it not on Britbox or later on? At any rate, this is how DW should treat technology. Make a plot element sort of sciencey and press on, like the TV that can see history or Daleks somehow getting time travel technology. Note to Chibnall: This story doesn't waste time trying to make everything Make Sense. It's entertaining and engaging. Not plodding like so much of Barry Letts' work was in the Pertwee era. Tells one story, tells it well, presses on. Verity Lambert is definitely a master of the craft.
Effects: The Dalek music is suitably eerie, and we see Daleks NOT on a metal floor. (I have to mention in passing this story doesn't waste time explaining WHY the Daleks somehow can move about in the desert). We have the classic Dalek ray gun effect, classic Dalek incidental music, but the rest of the incidental music is somewhat... experimental. Reminds me of Pertwee-era music. You definitely get the feeling the Beeb is trying to recapture the early 'magic' by tweaking the formula.
Oveall, I'm enjoying this and will continue this Hartnell Marathon hopefully til Christmas Eve.
The Doctor: William Hartnell had "found his groove." This is the Doctor as we've known him for over 50 years; disinclined to violence, intensively inquisitive, fiercely protective of his friends. While the Doctor is not yet completely the lead as Patrick Troughton would make the character in a few years, this is definitely no longer the Ian Chesterton Show.
The Companions: it's clear here that William Russell has seen his character mature into a foil for the Doctor, an equal instead of a competitor. Barbara thus far here is been mostly a comfort for Vicki and it's pretty clear to me that Team Who have started running out of ways to make stories work with a four-member Team TARDIS. Vicki has mostly varied between classic screamer and Going To Get Help.
The Story: I was looking forward to the Beatles' cameo; is it not on Britbox or later on? At any rate, this is how DW should treat technology. Make a plot element sort of sciencey and press on, like the TV that can see history or Daleks somehow getting time travel technology. Note to Chibnall: This story doesn't waste time trying to make everything Make Sense. It's entertaining and engaging. Not plodding like so much of Barry Letts' work was in the Pertwee era. Tells one story, tells it well, presses on. Verity Lambert is definitely a master of the craft.
Effects: The Dalek music is suitably eerie, and we see Daleks NOT on a metal floor. (I have to mention in passing this story doesn't waste time explaining WHY the Daleks somehow can move about in the desert). We have the classic Dalek ray gun effect, classic Dalek incidental music, but the rest of the incidental music is somewhat... experimental. Reminds me of Pertwee-era music. You definitely get the feeling the Beeb is trying to recapture the early 'magic' by tweaking the formula.
Oveall, I'm enjoying this and will continue this Hartnell Marathon hopefully til Christmas Eve.